China's economy is set to rebound this year as mobility and activity pick up after the lifting of pandemic restrictions, providing a boost to the global economy.To get more china economy news latest, you can visit shine news official website.

The economy will expand 5.2 percent this year, according to our latest projections, versus 3 percent last year. That's good news for China and the world as the Chinese economy is now expected to contribute a third of global growth this year.

Even so, China still faces significant economic challenges. The contraction in real estate remains a major headwind, and there is still some uncertainty around the evolution of the virus. Longer-term, headwinds to growth include a shrinking population and slowing productivity growth.

Accordingly, as we note in our annual report for China, the economy needs comprehensive macroeconomic policies and structural reforms to secure the recovery and promote balanced, green, and inclusive growth.

We recommend keeping fiscal policy neutral this year, with additional monetary policy accommodation helping secure the recovery amid muted inflation pressures and growth below its potential. Orderly restructuring of troubled property developers will also help reduce risks.

With a shrinking labor force and diminishing returns to capital investment, growth in coming years will depend on boosting declining productivity growth. Without reforms, we currently estimate growth to fall below 4 percent over the next five years.
An ambitious but feasible set of reforms can improve these prospects-importantly, in a way that is inclusive by raising the role of household consumption in demand. Reforms such as gradually lifting the retirement age to increase labor supply, strengthening unemployment and health insurance benefits, and reforming state-owned enterprises to close their productivity gap with private firms would significantly help to boost growth in coming years. Undertaking such reforms would enable China's income level to rise by around 2.5 percent in five years.

Much is at stake. When China's growth rate rises by 1 percentage point, growth in other countries increases by around 0.3 percentage points, according to recent IMF staff analysis. That underscores how domestic reforms could boost China's economy and that of others too.

This week, I wanted to discuss the most delicate and controversial subject in this entire blog series-the questionable role of women in Jiangnan. This has been the subject of a lot of debate within the company and among playtest groups, and it's about time we had a serious talk about it.To get more news about women in ancient china, you can visit shine news official website.

A Rose by any Other Name?
There's no other way to say it. Aspects of Ancient Chinese culture were sexist. Now, there are a lot of asterisks after that sentence, and that's what we're going to talk about today. Please, let's be civil here.

Before we begin, I want to convey the importance of language in culture. The language of a culture shapes the thoughts of the culture. Chinese is radically different from English.

Even the basic concept of "sadness" is different. When I hear the word "sad", I imagine a box of tissues, tears, sitting on the floor hugging my knees, and a big bowl of ice cream. When I hear the characters "難過", I don't immediately think of those images. Sadness (one of the many ways to say it) in Chinese is "難過". "難" means "difficult". "過" can mean "pass". So "sadness" in Chinese literally means "a difficult time to pass". That's not quite the same way I view the concept of sadness. I think this viewpoint is beautiful. Sadness is a difficult time to pass, but you will pass through it.

In this article, I'll be using words such as prostitute, geisha, and concubine. These English words are loaded with imagery from English-speaking cultures; however, prostitution wasn't handled the same in Ancient China as it is today. There were differences. I am not condoning prostitution. It existed then, and it exists today. I just want to point out that how the culture of Ancient China viewed the concepts of prostitute, geisha, and concubine are different than how we do today. Granted, that could be due to overwhelmingly male dominance in Chinese culture.

Concubines
To be honest, when I first learned of the concept of concubines in Ancient China as a kid, I thought it was simply the Emperor's private harem. And while there is some truth to that statement, it doesn't capture the full concept of Imperial concubinage.

For example, Imperial Concubines were chosen and ranked by several metrics. The higher they were ranked, the more their families were financially compensated. In fact, the plot from the novel "Dream of the Red Chamber" (one of the four great novels in Chinese literature) revolves around this. Families that received this "Imperial compensation" were quite well off, typically never having to work ever again.

In fact, in "Dream of the Red Chamber", the family of the male protagonist, Jia Baoyu, lives like royalty in a rather large home with dozens of servants. All of this wealth was due to Jia Yuanchun, the protagonist's elder sister, becoming an Imperial consort and ultimately one of the Emperor's favorite.Keep in mind that concubinage was practiced throughout most of China's history and only became outlawed in 1949 (less than 100 years ago) when the CCP took over China.

The concept of concubine evolved throughout China's history. While concubines were purchased much like servants or slaves, they were considered to be of a higher social class. Servants lived in their master's home, received wages, could leave the premises unattended, and at times were treated more like apprentices than what we think of as a servant today. By the early Ming Dynasty (1500 CE), slavery in China was forbidden. Concubines were always considered to be of a higher social class.

For most of China's history, polygamy was illegal and socially frowned upon; however, a man could have as many concubines as he could afford. Somewhere in the Han Period (ending in 220 CE), the number of concubines one man could have was limited by law. Eventually, by the Qing Dynasty (1644-1911), concubines could be promoted to a wife.

While concubines typically lived well and better than most women of the day, their lives were not easy and horrific things happened to them, such as being buried alive with their master or the binding of their feet.

Archaeologists from the Datong Institute of Cultural Relics and Archaeology have reportedly unearthed a large trove of ancient terracotta figurines in the Shanxi province of China, according to state-run publication China Daily.To get more news about women in ancient china, you can visit shine news official website.

The figurines, found in the tomb of upper-class individuals who lived during from the Northern Wei Dynasty (386-534CE), depict a variety of dancers, domestic workers and labourers, providing a historically important glimpse into daily life of the period. The archaeological team stated that this discovery constitutes a watershed moment in the study of funerary culture. The female musicians depicted in this terracotta group will also provide a coveted link between ethnic costuming and national culture.

The Northern Wei Dynasty marked a nearly 150-year period of political turbulence and social reform, defined by political recentralisation, ethnic integration and the construction of a portion of what would become the Great Wall of China. Many of the finest known examples of ancient Taoist and Buddhist art known to contemporary audiences date from this period, including the Unesco World Heritage Sites known as the Longmen Grottoes and Yungang Grottoes.
The four great beauties from Chinese antiquity, regarded as the most stunning women of their era, date respectively from the Spring and Autumn (722-481 BC), Three Kingdoms (220-280 AD), Western Han dynasty (206 BC-9 AD) and Tang dynasty (618-907 AD) periods. Above and beyond their sublime appearance, which was enough to amaze even nature, the four Chinese beauties forged a reputation through the influence they had on the rulers of their time, and, as a result, the history of China. Legend has it that three of them caused their kingdoms to weaken and all came to a mysterious end.

Blancpain has decided to interpret the tale of these emblematic figures from ancient China on a set of dials, using all the artistic techniques expertly practiced in its Métiers d'Art workshops. It is in Le Brassus, in a country setting nestled in the heart of the Vallée de Joux, that Blancpain's artisans perpetuate ancestral skills transmitted from generation to generation. Be it champlevé enamel, engraving, shakudō, marquetry or enamel painting, each artistic craft is promoted on one piece of this special series, while all four watches feature a painted enamel beauty.